David Fincher movies get me all excited. So, when it was announced he was at the helm of the American-ized version of “The Girl with the Dragon Tattoo,” I got super excited. I really enjoyed the Swedish film, so I was curious as to what Fincher would do with the material.

Now the results are in theaters and it stacks up well (and sometimes not so well) against the original Swedish film.

For the most part, Fincher’s version works very well. The tone of the movie is very cold, clinical and precise. Fincher seems more interested in presenting the mechanics of the investigation rather than making it a more lurid thriller. It’s kinda like a lighter and more user friendly version of “Zodiac.” Some plot elements from the book that were ditched in the original movie show up here which make a nice addition. All the actor’s are solid and the pacing clicks along fairly well (except for wrapping up all the loose threads at the end). Plus, Trent Reznor and Atticus Ross deliver another very interesting soundtrack.

So, does Rooney Mara kick it as Lisbeth Slander? She does and then some. I liked Mara’s take of the character more than Noomi Rapace‘s. It’s more dark, internal and withdrawn.

The major problem with the movie is that it has about five endings. They catch the killer and then there are about four more plot points to resolve which drags out the ending. And the movie is fitted with a bizarre James Bond-esque opening credit sequence. It looks cool and plays under the blasting sounds of “Immigrant Song” (covered by Reznor/Ross/Karen O) … but it doesn’t really serve any other purpose than to look cool.

There are better Fincher films … but, on the whole, “The Girl with the Dragon Tattoo” worth checking out.